This Could Go on Forever explored the relationship between graffiti, glass and movement through a continuously evolving process. A graffiti painting made in an abandoned industrial site in Estonia was documented and transformed into a glass sculpture in Finland. The sculpture then returned to Estonia, where it became the starting point for a new intervention, documentation and object.

The cycle continued for a year, creating a dialogue between locations, materials and realities, a process that, in theory, could continue forever.

The project resulted in an exhibition at Serlachius Museums and a publication of the same name, published by Serlachius Museums and Parvs.